Prints for Sale
Listed below is a selection of impressions from the Illuminated Books individually priced and including a few pairs of prints and small sets.
All have been printed on old English hand-made off-white wove papers torn to the same sizers that Blake printed on (280 x 190 and 390 x 280 mm). The colours of ink match those that Blake mixed to print with and have been mixed as he did from historic dry pigments including yellow ochre, gamboge, Prussian blue, vermillion, madder lake and bone black.
As each plate has been carefully inked by hand it is impossible to duplicate the same layering and grainy texture of the ink when the plate is again prepared for printing with the result that, like Blake’s originals, no two impressions are the same and each is unique.
The price includes mounting each print in off-white acid-free, board ready for framing. A description printed in letterpress is also included explaining how the relief-etched copper plates have been re-created and how the impressions have been printed.
There is also a complete list of all of the replica relief-etched copper plates of the Illuminated Books that have been made. Any one or group of these plates can be printed to order. A very few of the Limited Edition sets also remain available for purchase, click Limited Edition Sets in the navigation above to explore.
Please click thumbnails below to enlarge the impression and to purchase.
Should you have any questions, please do not hesitate to contact Michael Phillips.
From Songs of Experience, 1793
Sheet size 113 x 64 mm
Sheet size approx 280 x 190 mm
All prints will be mounted in acid-proof off-white boards in readiness for framing, and are accompanied by a letterpress description of the printmaking process.
From Songs of Innocence, 1789
Plate size 123 x 78 mm
Sheet size approx 280 x 190 mm
All prints will be mounted in acid-proof off-white boards in readiness for framing, and are accompanied by a letterpress description of the printmaking process.
From Songs of Experience, 1793
Sheet size 113 x 64 mm
Sheet size approx 280 x 190 mm
All prints will be mounted in acid-proof off-white boards in readiness for framing, and are accompanied by a letterpress description of the printmaking process.
From Songs of Experience, 1793
Sheet size 113 x 64 mm
Sheet size approx 280 x 190 mm
All prints will be mounted in acid-proof off-white boards in readiness for framing, and are accompanied by a letterpress description of the printmaking process.
A pair of prints from Songs of Innocence and Experience, 1794
The Lamb: Plate size 123 x 78 mm
The Tyger: Plate size 113 x 64 mm
Sheet size approx 280 x 190 mm
All prints will be mounted in acid-proof off-white boards in readiness for framing, and are accompanied by a letterpress description of the printmaking process.
Separate impressions of The Tyger are also available to purchase.
From The Marriage of Heaven and Hell, c. 1790-93
Title Page: Plate size 156 x 105 mm
Sheet size approx 280 x 190 mm
All prints will be mounted in acid-proof off-white boards in readiness for framing, and are accompanied by a letterpress description of the printmaking process.
From The Marriage of Heaven and Hell, c. 1790-93
Plate size 154 x 112 mm
Sheet size approx 280 x 190 mm
All prints will be mounted in acid-proof off-white boards in readiness for framing, and are accompanied by a letterpress description of the printmaking process.
From From America a Prophecy, 1793
Plate size 235 × 174 mm
Sheet size approx 390 x 280 mm
All prints will be mounted in acid-proof off-white boards in readiness for framing, and are accompanied by a letterpress description of the printmaking process.
From Europe a Prophecy, 1794
Plate size 238 x 178 mm
Sheet size approx 390 x 280 mm
All prints will be mounted in acid-proof off-white boards in readiness for framing, and are accompanied by a letterpress description of the printmaking process.
From Jerusalem, 1804-c. 1820
Plate size 223 x 162 mm
Sheet size approx 392 x 260 mm
Very fine impression with distinctive watermark in upper left corner of the sheet.
All prints will be mounted in acid-proof off-white boards in readiness for framing, and are accompanied by a letterpress description of the printmaking process.
From America a Prophecy, 1793
Plate size 235 x 169 mm
Sheet size approx 390 x 280 mm
All prints will be mounted in acid-proof off-white boards in readiness for framing, and are accompanied by a letterpress description of the printmaking process.
From Jerusalem, c. 1804-1820
Plate size 161 x 225 mm
Sheet size approx 392 × 260 mm
Very fine impression. Distinctive watermark in upper left corner of the sheet.
All prints will be mounted in acid-proof off-white boards in readiness for framing, and are accompanied by a letterpress description of the printmaking process.
From Jerusalem, c. 1804-1820
Plate size 164 x 225 mm
Sheet size approximately 280 x 390 mm
Very fine impression.
All prints will be mounted in acid-proof off-white boards in readiness for framing, and are accompanied by a letterpress description of the printmaking process.
From Jerusalem, 1804-c. 1820.
Plate size 224 x 163 mm
Sheet size approximately 390 x 280 mm.
Very fine impression.
‘one of the most magnificent plates in Jerusalem’
Morton D. Paley
All prints will be mounted in acid-proof off-white boards in readiness for framing, and are accompanied by a letterpress description of the printmaking process.
From Jerusalem, c. 1804-1820
Plate size 161 x 225 mm
Sheet size approximately 280 x 390 mm
Very fine impression.
All prints will be mounted in acid-proof off-white boards in readiness for framing, and are accompanied by a letterpress description of the printmaking process.
From Jerusalem, c. 1804-1820
Plate size 225 x 161 mm
Sheet size approx 390 x 280 mm
Very fine impression.
All prints will be mounted in acid-proof off-white boards in readiness for framing, and are accompanied by a letterpress description of the printmaking process.
From Jerusalem, c. 1804-1820
Plate size 148 x 224 mm
Sheet size approximately 260 x 400 mm
Very fine impression.
All prints will be mounted in acid-proof off-white boards in readiness for framing, and are accompanied by a letterpress description of the printmaking process.
For more information about William Blake prints, please contact Michael Phillips.